Biography

Rocío Molina was born in Málaga in 1984. She started dancing as early as age three, when she began her professional training, completing her career in 2002 at the Real Conservatorio de Danza de Madrid, graduating with full marks.

 

In 2001 she joined María Pagés’s company, choreographing one of the numbers in the production titled “Las Cuatro Estaciones” (The Four Seasons), touring throughout Italy, Japan, Canada and The United States, where she took part in the Andalusian Gala at the New York City Center.

 

In 2003 she again took part in the USA Flamenco Festival, performing as a soloist, together with Manuela Carrasco and Chocolate, and forming a duo with Israel Galván.

 

In 2005 she premiered her first production “Entre Paredes” (Between Walls) at the Teatro Principal de Vitoria, touring various Andalusian provinces.

 

Subsequently, coinciding with the first Málaga in Flamenco Festival in 2005, the Andalusian Agency for the Development of Flamenco chose her to produce and star in a show for this Festival. The result was “El Eterno Retorno” (The Eternal Return), based on texts by Nietzsche, with Juan Carlos Romero as musical director, Pepa Gamboa as stage director and featuring Pastora Vega and Teresa Nieto. This was the work she presented in her debut at the Jerez Festival in 2006 and it has received rave reviews wherever it has been presented.

 

She has performed as a guest artist in Antonio Canales’s production “Bohemio”. In August 2006 she presented an “alternative” production at the Pradillo Theatre in Madrid called “Turquesa como el Limón” (Turquoise like the Lemon) with the bailaora Laura Rozalén. She also presented a new show titled “Dorantes”, especially produced for the Teatro Lope de Vega in Seville, touring throughout Spain.

 

During the 2006 Seville Flamenco Biennial she co-starred in the production “Andalucía, el Flamenco y la Humanidad” (Andalusia, Flamenco and Humanity) with dancers Belén Maya and Rafaela Carrasco, and the singer Carmen Linares.

 

In 2007 she was invited to perform at the presentation of Miguel Poveda’s new album in Madrid and Barcelona. She was also responsible for accompanying Chano Lobato as the only dancer in a recent homage to him held at the Teatro de la Maestranza in Seville.

 

Rocío Molina’s latest creation is titled “Almario”. It was premiered at the Villamarta Theatre during the Jerez Festival and was directed by Miguel Serrano. In “Almario” Rocío lays bare her manner of dance and reveals flamenco in its purest state. “Almario” has been described as “an almost perfect work in which the young dancer from Málaga is herself again and commands with the intensity of her intelligence, creativity and absolute courage, marking the beginning of a new era in female flamenco dancing” (Estela Zatania).

 

  During the 2007 Málaga Biennial she premiered “Por el decir de la Gente”, produced by Málaga in Flamenco and commissioned by José Luis Ortiz Nuevo. Apart from originally conceiving the idea of the show, Rocío also directed and choreographed it. The result was one of the Biennial’s best productions.

 

Apart from consolidating herself as one of the best flamenco dancers of her time, Rocío has also gathered experience in the field of choreography, choreographing numbers for the María Pagés and José Porcel companies, the Real Conservatorio de Danza de Madrid and Pitingo and Juan Carmonas’ production “Soulería”

 

Throughout her career she has received numerous prizes, among the most recent, the prize for the most outstanding dancer at the XI Certamen de Coreografía y Danza de Madrid in 2002; the El Madroño and Venencia Flamenca al Mistela prizes for the Best Flamenco Dancer in 2006. She was recently awarded the “Flamenco de Hoy” Critics’ Prize for the best New Female Flamenco Dancer 2006.

 

Rocío Molina is undoubtedly the best thing that has happened to flamenco in Málaga in recent times, the most important flamenco dancer to hail from Málaga for decades, if not a century; the latest revelation in flamenco dancing. Rocío’s style is very unique, a combination of rare naivety and earthly power. Rocío is many dancers in one, with the astounding capacity to assimilate and absorb new forms and formulas into her own style
 
   

Premios

2008

  • Premio Málago Joven de promoción de Málaga en el exterior.
  • Premio Mejor Bailaora de la Bienal de Sevilla 2008
  • Giraldillo a la Mejor Coreografía en Oro Viejo ex aequo Rocio Molina/Rafaela Carrasco.
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2007

  • Premio Revelación El Público de Canal Sur Radio al mejor espectáculo "Turquesa como el Limón"
  • Premio de la Crítica "Flamenco de Hoy" MEJOR BAILAORA 2007
  • Premio deflamenco.com a MEJOR BAILAORA DEL 2007
  • Premio de Jerez a Mejor espectáculo por MUJERES junto a Merche Esmeralda y Belén Maya


2006

  • El Madroño y Venencia Flamenca el Mistela a la Mejor Bailaora 2006.
  • Premio de la Crítica “Flamenco de Hoy” a la mejor Bailaora Revelación 2000.
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2002

  • Mejor bailarina sobresaliente del XI Certamen de Coreografía y Danza de Madrid en 2002.